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Henry Warren Beatty (né Beaty; born March 30, 1937) is an American actor and filmmaker. His career has spanned over six decades, and he has received an Academy Award and three Golden Globe Awards. He also received the Irving G. Thalberg Award in 1999, the BAFTA Fellowship in 2002, the Kennedy Center Honors in 2004, the Cecil B. DeMille Award in 2007, and the AFI Life Achievement Award in 2008.

Beatty has been nominated for 14 Academy Awards, including four for Best Actor, four for Best Picture, two for Best Director, three for Original Screenplay, and one for Adapted Screenplay – winning Best Director for Reds (1981). He was nominated for his performances as Clyde Barrow in the crime drama Bonnie and Clyde (1967), a quarterback mistakenly taken to heaven in the sports fantasy drama Heaven Can Wait (1978), John Reed in the historical epic Reds (1981), and Bugsy Siegel in the crime drama Bugsy (1991).

Beatty made his acting debut as a teenager in love in the Elia Kazan drama Splendor in the Grass (1961). He later acted in John Frankenheimer's drama All Fall Down (1962), Robert Altman's revisionist western McCabe & Mrs. Miller (1971), Alan J. Pakula's political thriller The Parallax View (1974), Hal Ashby's comedy Shampoo (1975), and Elaine May's road movie Ishtar (1987). He also directed and starred in the action crime film Dick Tracy (1990), the political satire Bulworth (1998), and the romance Rules Don't Apply (2016), all of which he also produced.

On stage, Beatty made his Broadway debut in the William Inge kitchen sink drama A Loss of Roses (1960) for which he was nominated for the Tony Award for Best Featured Actor in a Play.

Isabelle Yasmine Adjani (born 27 June 1955) is a French actress and singer, known for portraying tragic and emotionally complex characters across various genres, particularly psychological films. She has received various accolades, including five César Awards and a Lumière Award, along with nominations for two Academy Awards. Adjani was made a Chevalier of the Légion d'honneur in 2010 and a Commandeur of the Ordre des Arts et des Lettres in 2014.

Adjani has won a record five Césars for Best Actress for Possession (1981), One Deadly Summer (1983), Camille Claudel (1988), La Reine Margot (1994), and La Journée de la jupe (2009). Her other César-nominated roles were in The Story of Adèle H. (1975), Barocco (1976), Subway (1985), and The World Is Yours (2018). Other notable films include The Slap (1974), The Tenant (1976), The Driver (1978), Nosferatu the Vampyre (1979), All Fired Up (1982), Deadly Circuit (1983), Ishtar (1987), Diabolique (1996), Adolphe (2002), Bon voyage (2003), French Women (2014), and Peter von Kant (2022).

Adjani came to international prominence for her portrayal of Adèle Hugo in The Story of Adele H., for which she was nominated for the Academy Award for Best Actress at age 20, becoming the youngest nominee in the category at the time. She later collected a second Best Actress nomination for portraying Camille Claudel in Camille Claudel, thus becoming the first French actress to receive two Academy Award nominations for foreign-language films. Adjani also won the Cannes Film Festival's Best Actress Award for her performances in Possession and Quartet (1981), which makes her the only actress to win a joint award for two films in the same competition slate, and the Berlinale's Silver Bear for Best Actress for Camille Claudel.

Maya Mikhailovna Plisetskaya (Russian: Майя Михайловна Плисецкая; 20 November 1925 – 2 May 2015) was a Soviet and Russian ballet dancer, choreographer, ballet director, and actress. In post-Soviet times, she held both Lithuanian and Spanish citizenship. She danced during the Soviet era at the Bolshoi Theatre under the directorships of Leonid Lavrovsky, then of Yury Grigorovich; later she moved into direct confrontation with him. In 1960, when famed Russian ballerina Galina Ulanova retired, Plisetskaya became prima ballerina assoluta of the company.

Her early years were marked by political repression and loss. Her father, Mikhail Plisetski, a Soviet official, was arrested in 1937 and executed in 1938, during the Great Purge. Her mother, theater and silent film actress Rachel Messerer, was arrested in 1938 and imprisoned for a few years, then held in a concentration camp together with her infant son, Azari. The older children were faced with the threat of being put in an orphanage but were cared for by maternal relatives. Maya was adopted by their aunt Sulamith Messerer, and Alexander was taken into the family of their uncle Asaf Messerer; both Alexander and Azary eventually became solo dancers of the Bolshoi.

Plisetskaya studied ballet at The Bolshoi Ballet School from age nine, and she first performed at the Bolshoi Theatre when she was eleven. She studied ballet under the direction of Elizaveta Gerdt and also her aunt, Sulamith Messerer. Graduating in 1943 at the age of eighteen, she joined the Bolshoi Ballet company, quickly rising to become their leading soloist. In 1959, during the Thaw Time, she started to tour outside the country with the Bolshoi, then on her own. Her fame as a national ballerina was used to project the Soviet Union's achievements during the Cold War. Premier Nikita Khrushchev considered her to be "not only the best ballerina in the Soviet Union, but the best in the world".

As an artist, Plisetskaya had an inexhaustible interest in new roles and dance styles, and she liked to experiment on stage. As a member of the Bolshoi until 1990, she had international exposure and her skills as a dancer changed the world of ballet. She set a higher standard for ballerinas, both in terms of technical brilliance and dramatic presence. As a soloist, Plisetskaya created a number of leading roles, including Juliet in Lavrovsky's Romeo and Juliet; Phrygia in Yakobson's Spartacus (1958); in Grigorovich's ballets : Mistress of the Copper Mountain in The Stone Flower (1959); Aurora in The Sleeping Beauty (1963); Mahmene Banu in The Legend of Love (1965); Alberto Alonso's Carmen Suite (1967), choreographed especially for her; and Maurice Béjart's Isadora (1976). Among her most acclaimed roles were Kitri in Don Quixote, Odette-Odile in Swan Lake, and The Dying Swan, first danced as a pre-graduate student under the guidance of Sulamith Messerer. A fellow dancer said that her dramatic portrayal of Carmen, reportedly her favorite role, "helped confirm her as a legend, and the ballet soon took its place as a landmark in the Bolshoi repertoire". Her husband, composer Rodion Shchedrin, wrote the scores to a number of her ballets.

Having become "an international superstar" and a continuous "box office hit throughout the world", Plisetskaya was treated by the Soviet Union as a favored cultural emissary. Although she toured extensively during the same years that other prominent dancers defected, including Rudolf Nureyev, Natalia Makarova, Alexander Godunov and Mikhail Baryshnikov, Plisetskaya always refused to defect. In 1991, she published her autobiography, I, Maya Plisetskaya.

Leslie Claire Margaret Caron (French: [lɛsli kaʁɔ̃]; born 1 July 1931) is a French and American former actress and dancer. She is the recipient of a Golden Globe Award, two BAFTA Awards and a Primetime Emmy Award, in addition to nominations for two Academy Awards.

Caron began her career as a ballerina. She made her film debut in the musical An American in Paris (1951), followed by roles in The Man with a Cloak (1951), Glory Alley (1952) and The Story of Three Loves (1953), before her role of an orphan in Lili (also 1953), which earned her the BAFTA Award for Best Foreign Actress and garnered nominations for an Academy Award and a Golden Globe Award.

As a leading lady, Caron starred in films such as The Glass Slipper (1955), Daddy Long Legs (1955), Gigi (1958), Fanny (1961), Guns of Darkness (1962), The L-Shaped Room (1962), Father Goose (1964) and A Very Special Favor (1965). For her role as a single pregnant woman in The L-Shaped Room, Caron, in addition to receiving a second Academy Award nomination, she won the Golden Globe Award for Best Actress in a Motion Picture – Drama and a second BAFTA Award.

Caron's other roles include Is Paris Burning? (1966), The Man Who Loved Women (1977), Valentino (1977), Damage (1992), Funny Bones (1995), Chocolat (2000) and Le Divorce (2003). In 2007, she won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for portraying heiress and rape victim, Lorraine Delmas, in Law & Order: Special Victims Unit.

Constance Money (born Susan Jensen; November 30, 1956) is an American former adult film actress. She played the lead role of Misty Beethoven in the 1976 adult classic The Opening of Misty Beethoven.

Diane Hall Keaton (Los Ángeles, 5 de enero de 1946-Los Ángeles, 11 de octubre de 2025)​fue una actriz, directora, cantante y productora de cine estadounidense. Ganadora de un Óscar a la mejor actriz, dos premios Globo de Oro y un Bafta. Junto con Faye Dunaway y Katharine Hepburn, fue la actriz con más películas en la lista de las 100 mejores películas, según el American Film Institute.

Madonna, mononyme de Madonna Louise Ciccone, née le 16 août 1958 à Bay City (Michigan), est une autrice-compositrice-interprète, danseuse, actrice, productrice de cinéma, réalisatrice et femme d'affaires américaine. Considérée comme l'une des plus grandes stars internationales depuis les années 1980, elle est souvent citée comme une influence majeure sur de nombreux artistes du XXI^e siècle.

Arrivée en 1978 à New York pour poursuivre une carrière de danseuse, Madonna signe chez Sire Records en 1982 et sort son premier album, Madonna, l'année suivante. Celui-ci est suivi d'une série d'albums rencontrant à la fois un important succès critique et commercial : les albums Like a Virgin (1984) et True Blue (1986) et The Immaculate Collection (1990) se vendent chacun à plus de 20 millions d'exemplaires tandis que Ray of Light (1998) et Confessions on a Dance Floor (2005) sont récompensés par des Grammy Awards. Plusieurs de ses singles atteignent le sommet des classements musicaux, tels que Holiday, Like a Virgin, Into the Groove, La isla bonita, Like a Prayer, Vogue, Frozen, Music, Hung Up et 4 Minutes.

Désignée par le Livre Guinness des records comme étant la chanteuse ayant vendu le plus de disques de tous les temps avec plus de 400 millions d'exemplaires écoulés, Madonna est intronisée au Rock and Roll Hall of Fame. Surnommée « The Queen of Pop » (« La Reine de la Pop »), elle explore également d'autres genres comme la dance, le disco, la musique électronique, le rock, le jazz et le RnB. Sa capacité à réinventer son image et sa musique au fil des années ainsi que ses prises de position et ses provocations sur des sujets comme la religion, la sexualité ou la politique contribuent largement à sa notoriété.

Madonna mène également une carrière au cinéma : si elle reçoit des critiques positives pour son premier film en tant qu'actrice, Recherche Susan désespérément (1985), et remporte un Golden Globe pour son rôle dans Evita en 1996, la plupart de ses films reçoivent un accueil mitigé, voire glacial. À la suite de ces échecs, elle se tourne vers la réalisation à partir de 2008.

Avec une fortune estimée à 850 millions de dollars par le magazine Forbes en juin 2025, Madonna figure parmi les chanteuses les mieux payées au monde. Elle est l'une des artistes dont les tournées ont rapporté plus d'un milliard de dollars de recettes depuis 1990.