¿Quién salió con Mercedes de Acosta?

Mercedes de Acosta (Nueva York, 1 de marzo de 1892-Nueva York, 9 de mayo de 1968) fue una poetisa estadounidense que además escribió obras de teatro y diseñó ropa. Se la conoce por sus relaciones románticas con Greta Garbo, Tamara Karsavina, Tallulah Bankhead, Marlene Dietrich, Alla Nazimova, Eva Le Gallienne, Isadora Duncan, Katharine Cornell, Maude Adams, Ona Munson ("Belle Watling" en la película Lo que el viento se llevó), Adele Astaire y otras. En una ocasión declaró que podía quitarle cualquier mujer a un hombre ("I can get any woman from a man").

No todo el mundo aprobaba su reputación. Alice B. Toklas, otra lesbiana conocida, escribió a Anita Loos:

Cuatro de sus obras de teatro fueron producidas, y una novela y tres volúmenes de poesía fueron publicados.

Айседо́ра Дунка́н (англ. Isadora Duncan [ˌɪzəˈdɔrə ˈdʌŋkən]; 26 мая 1877 или 27 мая 1878, Сан-Франциско, Калифорния — 14 сентября 1927, Ницца, Третья французская республика) — американская танцовщица-новаторша, основоположница свободного танца. Разработала танцевальную систему и пластику, которую связывала с древнегреческим танцем.

Жена Сергея Есенина в 1922—1924 годах.

В её честь назван кратер Дункан на Венере.

Claire de Forbin La Barben (née Charles-Roux; 10 April 1908 – 1992) fought with the French Resistance during World War II. Married to the last marquess of Forbin-la Barben, she was the lover of Isabel Pell and Mercedes de Acosta.

Marie Magdalene "Marlene" Dietrich (, German: [maʁˈleːnə ˈdiːtʁɪç] ; 27 December 1901 – 6 May 1992) was a German and American actress and singer whose career spanned nearly seven decades.

In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola Lola in Josef von Sternberg's The Blue Angel (1930) brought her international acclaim and a contract with Paramount Pictures. She starred in many Hollywood films, including six iconic roles directed by Sternberg: Morocco (1930) (her only Academy Award nomination), Dishonored (1931), Shanghai Express and Blonde Venus (both 1932), The Scarlet Empress (1934), The Devil Is a Woman (1935). Throughout World War II, she was a high-profile entertainer in the United States. Although she delivered notable performances in several post-war films, including Billy Wilder's A Foreign Affair (1948), Alfred Hitchcock's Stage Fright (1950), Billy Wilder's Witness for the Prosecution (1957), Orson Welles's Touch of Evil (1958), and Stanley Kramer's Judgment at Nuremberg (1961), she spent most of the 1950s to the 1970s touring the world as a marquee live-show performer.

Dietrich was known for her humanitarian efforts during World War II, housing German and French exiles, providing financial support and advocating their American citizenship. For her work on improving morale on the front lines during the war, she received several honors from the United States, France, Belgium, and Israel. In 1999, the American Film Institute named Dietrich the ninth greatest female screen legend of classic Hollywood cinema.